There is now a many year tradition at Noticing New York (about real estate development in New York and associated
politics), written by Citizens Defending Libraries co-founder Michael D. D. White. Each year on Christmas Eve, Noticing New York publishes a seasonal reflection. (More about the Noticing New York tradition here.) There is something a little bit different up at Noticing New York as a seasonal reflection this Christmas Eve. It's a letter Michael White wrote to Reverend
Ana Levy-Lyons, minister at his First Unitarian Universalist
Congregation in Brooklyn, requesting that she deliver a sermon about peace. There is a more about his decision at Noticing New York.
Because
the censorship and information control subjects of this letter are so
important, we are also publishing it here at Citizens Defending libraries. It is also being published at National Notice, also written by Mr. White.
December 19, 2019
Re: An Open Letter Requesting A Sermon About Peace
Dear Reverend Ana,
Last
spring my wife Carolyn and I invested heavily in our congregation’s
fund raising lottery trying to win the prize of choosing a topic for a
sermon you would give. We didn’t win. Had we won, we would have
challenged you with what you might not have found an easy subject,
speaking about Julian Assange, American war crimes, and the U.S. pursuit
of empire. Our choice of subject would not have been be to vex you
with its difficulty, but to ask you to speak to what could be such a
simple concept: Peace. If, these days, conversations about peace are
avoided as difficult, what better than address that difficulty in a
sermon?
Giving it some consideration, I think that
making a worthy case for a sermon topic is a good a way to gain the
prize of having you speak on a topic we care about, as good a way as
investing in fund raising lottery tickets. Therefore I will try.
Is
peace a spiritual thing? Is talk about our common humanity, our common
bonds, and about surmounting the blindness that fractures our
relationships a proper thing to address in religious terms? I
acknowledge I’m being obvious here. What I just referred to is supposed
to be basic and elemental to the great faiths.
I grew
up in the Vietnam War era and I remember churches and church people
taking the lead in saying that the wars we waged in Indochina were
wrong. These days we, as country, are more military extended than
ever. My oldest daughter is now about to be twenty-nine years old. We
had already started bombing Iraq when she was born in January. The war
in Iraq is just one of the perpetual wars that has continued essentially
for the entirety of her life. All of our wars are long now. As
formally measured by some, the War in Afghanistan, with its later
beginning, has surpassed the Vietnam War as our country’s longest war.
These days the United States has been bombing
nine countries, ten if you include, as we should, all of the U.S.
participation in the bombing of Yemen, the other nine countries being:
Mali, Niger, Somalia, Libya, and then, in the Middle East, it’s
Pakistan, Afghanistan, Iraq, Syria. We have 800 military bases in other
countries. With practically no comment or attention from us, President
Obama opened new military bases across Africa.
A peace
symbol hangs prominently in our Unitarian Universalist congregation’s
sanctuary where our sermons are given. We begin every Sunday service
singing the words: “let peace, good will on earth be sung through every land, by every tongue.”
Christmas comes every year, and every year we evoke and extol, as is
customary in the Christian tradition, the image of Jesus as the “Prince of Peace.”
In our congregation’s Weaving Social Justice Committee we have
discussed the prospect of rededicating the side chapel within the
sanctuary that is known as the “Peace Chapel” to that cause. In our list of candidate films for the social justice film series we are working on we have films about the injustice of war. . .
.
. . But, by and large, we hardly ever actually say anything about peace
or the need to end the perpetual wars for which our country is now
responsible. Has there been any sermon in our sanctuary on the subject
of peace? I can’t recall one.
I was not at the
Unitarian Universalist General Assembly in June this summer, but I
talked with people who went, and I looked over the multi-day program. I
was told and I saw that there were no sessions on the subject of
peace. Nor was anything said about the antithesis thereof, war,
although we are deeply embroiled in wars to the point that they are
inescapably always in the background our daily American lives.
Our
congregation through its leaders including members of the social
justice committee is now reaching out to other congregations in our city
and to their social justice actors to coordinate collective activism on
the issues important to all of us. The importance of peace activism
has not been mentioned in those discussions no matter that it is
integrally related to virtually every other issue that is being
discussed of common interest. Has the subject of peace somehow been
tagged as off-limits? Is peace now too controversial to be discussed by
and among religious communities?
Other social issues
have attracted the attention of organizing Unitarians and have been the
subject of multiple sermons. I understand and support that and among
them are issues like the climate change chaos catastrophe emergency.
The climate emergency is an existential threat to all of humanity. When
the Democratic National Committee ordered that there be no debate
focused on the single issue of climate change– the DNC actually forbade
Democrats from participating in any such debate organized by anyone
else– the case was made that the existential issue of climate is so
fundamental that it is intertwines with and underlies virtually every
other issue that’s important. There are other issues like that; issues
that are inextricably related to society’s other major issues.
Our
American wars together with the rest of our military interventions that
stoke conflict in other countries are far too often wars which are very
much about the extraction of oil and fossil fuels. Moreover, overall
our wars help keep in place the systems that continue to vandalize our
planet, exterminating its ecosystems. Further, the US military is one
of the largest polluters in history, “the single-largest producer of greenhouse gases (GHG) in the world,” and that the Pentagon is responsible for between “77% and 80% of all US government energy consumption”
since 2001. The US military is consuming more liquid fuels and
emitting more climate-changing gases than most medium-sized countries,
polluting more than 140 countries. Obscuring the reporting on this, the
United States, which exempts its military from environmental laws,
insisted on exemptions from reporting of the military emissions of all countries from climate agreements. The U.S., has itself escaped such reporting by exiting the Paris Climate Accord.
It
is not clear, but these staggering figures about fossil fuel use
probably don’t include the fossil fuel consumption related to the
initial manufacture of weapons. Consider also that replacement, or
nonreplacement, of what is bombed, burned and incinerated also must
entail substantial additional environmental costs.
It is not just greenhouse gas emission pollution that the military produces: In 2010, a major story that went largely unreported
was that the U.S. Department of Defense, as the largest polluter in the
world, was producing more hazardous waste than the five largest US
chemical companies combined, and that just some of the pollutants with
which it was contaminating the environment were depleted uranium,
petroleum, oil, pesticides, defoliant agents such as Agent Orange, and
lead, along with vast amounts of radiation. Following our bombings,
birth defects reported in Iraq are soaring. A World Health Organization
survey tells us
that in Fallujah half of all babies were born with a birth defect
between 2007 and 2010 with 45 per cent of all pregnancies ending in
miscarriage in the two years after 2004.
Another thing we face that has been deadening to the human spirit has been the increasing “othering”
of people who we are made to think are different from us. Frequently
now that’s immigrants from other countries who are black or brown.
Often that “othering,” as with Muslims, is stoked in ways that
may cause us to support or tolerate wars in which those others suffer
most and towards whom hostilities are often officially directed. We may
also forget how our wars and military activity push the flow of
populations forcing people to migrate across boarders, as, for instance,
with those leaving Honduras after our country helped bring about the
military coup that replaced the government there.
Also
basic and underlying so many of our problems are racial, income and
wealth inequality with concomitant inequality in power and influence.
These are things that Reverend Martin Luther King, Jr., who practiced
ministry through activism and activism through ministry, labored to
eliminate. Not long before he was assassinated, King also began to
speak out against the Vietnam war saying the great challenge facing
mankind is to get rid of war. Before he did so, he carefully weighed
cautions urged on him that as a civil rights leader he shouldn’t do so,
that it would undermine support for his civil rights work, split his
coalition, and that these issues should not be joined together. But
King concluded that the issues were tied together and decided that he would address them on that basis.
When King expressed his opposition to the war in his very famous “Beyond Vietnam -- A Time to Break Silence,”
delivered in this city’s Riverside Church, New York City, April 4,
1967, one year to the day before his assassination, he said he was “increasingly compelled to see the war as an enemy of the poor and to attack it as such.”
He spoke of the disproportionate toll that waging war exacted on the
poor and spoke of the poisoning of America’s soul. . . So it is today.
War is profitable business. It busies packs of lobbyists who know a great deal more about often secret budgets
than we, as the public, will ever learn. But that profit drains the
resources of our society enfeebling our ability to accomplish so much
else. The Pentagon and military budget is about 57% of the nation’s discretionary budget. If all of the unknowable
black box spending that goes into the Military-Industrial-Surveillance
Complex were included, that percentage could well bump up higher. We
spend more on military spending than the next ten countries combined (or
seven, depending on the year and who calculates), and we spend much
more than all the rest of the countries in the world left over after
that. Of course, much of that spending by other countries is on arms we
supply making the world dangerous.
We may not fully
know about or have a complete accounting of all the dollars we spend in
these areas, but, in May of 2011 after the U.S. announced that it had
killed Osama Bin Laden, the National Priorities Project calculated that,
as of that time, “in all, the U.S. government has spent more than $7.6 trillion on defense and homeland security since the 9/11 attacks.” Point of reference: a “trillion” is one million millions.
Just the increase in the military spending in the last two years since Trump came in is as much as Russia spends on its entire military budget ($66 billion). Similarly just that increase is greater than the entire military budgets of Britain ($55 billion) or France ($51 billion).
Our
fixated disposition to keep spending more is entrenched: Even Elizabeth
Warren, a senator from Massachusetts who promotes herself as a left
wing progressive, voted in 2017
to increase the defense budget by $80 billion, surpassing the $54
billion increase requested by President Trump. 60% Of House Democrats voted for a defense budget far bigger than Trump requested.
Perhaps
most disquieting and insidiously corrupting to our morality and our
souls are the pretexts we adopt to justify going to war and to abide its
horrors, particularly when we leave those pretexts dishonestly
unexamined. The public flailed and many among us continue in their
confusion, unable to sort out that Iraq did not attack the United States
or have weapons of mass destruction before the second war that we
unilaterally and "preemptively" launched to invade that country. Before our first Gulf War attack on that country there were no slaughtered `incubator babies’:
That was just a brazen, cynically staged public relations scam.
Similarly, how few of us know and recognize that Afghanistan did not
attack the United States on 9/11– We precipitously invaded that country
because the government there was at that time asking that procedures be
followed and proof furnished before it would assist in finding and
turning Osama Bin Laden over to the United States.
The
foreign country that was most involved in 9/11, and from where almost
all of the men identified as the alleged 9/11 hijackers came, is Saudi
Arabia. Saudi Arabia is the country to which we are selling massive
amounts of weapons (making it that world’s third biggest military
spender) and it is the country with which we are deeply involved
perpetrating war crimes against Yemen.
In the Vietnam
War, our second longest war, it was the Gulf of Tonkin incident that,
not being what it seemed nor reported to be, was the pretext for war.
Perhaps
hardest and most challenging to our susceptibilities as caring people
striving to be spiritual and attentive to justice are the pretextual
manipulations to which we are subject in regard to what Noam Chomsky and
Edward Herman spotlighted as the selective distinguishing between “worthy” versus “unworthy” victims. “Worthy”
victims are those who, whatever their number, deserve our outrage and
are a basis for calls for the international community to mobilize toward
war. “Unworthy victims” are those who can die en mass without
attention or recognition like the tens of thousands of Yemeni children
who have died for lack of food, water and medicine because of Saudi
Arabia’s blockade assisted by the U.S.. Often, as with Palestinians
removed from their homelands, these victims are blamed for their own
victimhood.
Additional layers of pretext pile up when
we encounter journalists and whistleblowers willing to be the messengers
of war crimes. We punish those messengers while, concurrently, there
is no consequence for those who perpetrate the war crimes. Often the
perpetrators are promoted to higher office. That includes those who
illegally torture others to coerce useless, undependable, and likely false “confessions.” Thus we punish and torture Julian Assange and Chelsea Manning for exemplifying what Daniel Ellsberg called “civil courage.” Thus we vindictively send CIA whistleblower John Kiriakou to prison for disclosing his agency’s torture program.
Wikileaks,
Julian Assange’s organization has published much that is embarrassing
to the United States and those in power, much of it is particularly
embarrassing to the U.S. military. Wikileaks has never published
anything that was untrue, but the truth of what it has published is
disruptive to the official narratives of the war establishment. That
establishment has been seeking vengeance against and to neutralize
Assange since events in 2010 when in April Wikileaks published
documenting gunsight video footage, under the title of “Collateral Murder,”
of a US drone strike on civilians in Bagdad provided by Chelsea
Manning. The New York Times and Washington Post did not respond to
Manning’s attempts to publish that same footage through them or other
evidence of U.S. war crime in Iraq and Afghanistan.
Anyone
who wants proof of the pretextual nature of the United States’
persecution of Julian Assange and of the ghastly and sometimes illegal,
abuse of inordinate power against Assange should watch or listen to Chris Hedges June 8, 1019 “On Contact” interview with UN Special Rapporteur on Torture Nils Melzer (“On Contact: Julian Assange w/UN Special Rapporteur on Torture”-
Chris Hedges is an ordained minister in the Presbyterian Church). The
attacks against Assange began with a highly orchestrated campaign of
character assassination. They have progressed to things far worse.
Both Assange and Manning (who was pardoned from a 35-year sentence after
seven years of confinement that included the torture of Manning) are
now being held in prison, no end in sight, for no crimes of which they
have been convicted. I think we have to agree with the criticism of
this as psychological torture. The continued torture of Manning is an
effort to get at Assange even if that were to involve forcing Manning to
lie.
The United States wants Assange extradited to the
Unites States to be tried for the crime of practicing journalism that
was unflattering to the United States government. Somehow we have the
highhandedness to conceptualize this journalism to be treason although
Assange is a foreign national. Assange faces no other charges. Under the
laws pursuant to which the U.S. would try him, Assange, like the exiled
Edward Snowden, would not be permitted to introduce any evidence or
argument that disclosing illegal U.S. activity or war crimes benefits
the public. It’s said that the United States wants nothing more than a
show trial and I think that must be considered obvious.
When
Assange sensed in 2012 that trumped up charges in Sweden would be used
as a subterfuge to transfer him to United States custody for such a show
trial he obtained political asylum in the Ecuadorian Embassy in London.
For this, a British judge sentenced Assange and had him serve 50 weeks
in a high security prison for “bail jumping”; that’s just
fourteen days short of the maximum possible sentence, although the
obviously trumped up charges for which Assange had posted bail were
withdrawn, negating the original bail terms as a result. A normal, typical sentence for bail jumping would have entailed only a fine, in a grave case, a much shorter prison sentence.
Britain was able to send police officers into enter the Ecuadoran Embassy to arrest Assange for “bail jumping”
and then later hold him, without other charge for pending extradition
to the United States, because of a change in the Ecuadoran government
that was evidently CIA assisted,
and as the United States was dangling financial aid for that country.
Assange’s eviction from the embassy, along with his being simultaneously
stripped of Ecuadoran citizenship, was done without due process.
The
persecution of Assange casts a long shadow to intimidate other
journalists, whistleblowers and activists as they themselves are being
intimidated about disrupting the preferred narrative concerning
America’s militarily asserted empire. Other providers of news simply
lay low not reporting things. As neither the New York Times nor the
Washington Post reported it, you may not have heard about the recent scary SWAT style arrest
of journalist Max Blumenthal by Washington D. C. police hours after he
reported about the United States government funding of the Venezuela
Juan Guaidó coup team. Blumenthal was shackled and held incommunicado
for an extended period. Not long after that the D.C. police went out to similarly arrest activist and journalist Medea Benjamin when she publicized the U.S. backing of coups in Venezuela and Bolivia.
With
silenced journalists, will we, based on unchallenged pretexts, send our
military into to change the government of Venezuela as there is talk of
doing? In Bolivia the coup we sponsored has been successful without
that. Meanwhile, there is talk of pretexts for military actions against
Iran, Russia, North Korea.
Journalists who still show courage, are subject to
exile, sometimes self exile, from their journalistic homes, to
alternative media outlets, where, like Assange, they are likely to be
less heard and will be more vulnerable. Journalist Tareq Haddad just announced
that he resigned from Newsweek because that publication has been
suppressing a story of his. His story was about the whistleblower
revelations of buried evidence that the supposed 2018 Duoma chemical
attacks by Syrian president Assad on his own people was fairly obviously
a concocted fabrication when it was used as a justification for the
U.S. to bomb Syria. Remember our bombings of Syria? The was another in
2017. It was for such bombings of Syria the press declared that Trump was finally `presidential,' and, as the cruise Tomahawk missiles launched, MSNBC’s Brian Williams spoke of being “guided by the beauty of our weapons” using the word “beautiful” three times in 30 seconds.
The
strenuous suppression of these voices like Assange's that would disrupt
official narratives shows how the conduct of war has a tight moral link
to the choices we make to speak out against war and against the
suppression of the voices that oppose war. In his sermon against war at
Riverside Church that day one year to the day before he was killed,
Reverend Martin Luther Kings Jr. said that, “men do not easily assume the task of opposing their government's policy, especially in time of war.”
King also said that, when assuming the task of such opposition, it was difficult to break free of the “conformist thought” of the surrounding world. Indeed, with the complicity of a much more conglomerately owned
corporate media than in King’s time, it seems as if there is a
secularly consecrated catechism of what we know we as Americans are not
supposed to say, what we must veer away from and avoid. We subscribe
with almost religious ferocity to the belief that American
exceptionalism justifies all our actions in the world. It feels, as if
in our bones, that we know that to violate this proposition and say
something else would create a rumbling disturbance in the force (you
know, “Star Wars”). Or is our silence, merely something less
profound than that, just the equivalent of what we think would be an
exceptionally super-rude topic to bring up at a family Thanksgiving or
holiday diner?
Dr. King
correctly foresaw that there would be significant prices he would have
to pay for speaking out against our country’s war. He concluded that he
had to do so, that he had to `break the silence,’ despite the
prices he knew he would have to pay. He felt that doing so was the only
thing he could do and remain true to himself and his causes.
Ana,
I have no doubt that there would be prices you would have to pay if you
spoke out for peace; if you spoke out against war. I also acknowledge
that there are prices our congregation could face. Relatively recently
the FBI has raided the homes of public nonviolent peace activists who have long, distinguished careers in public service. (And the FBI has also been investigating nonviolent climate activists and Black Lives Matters activists.)
But I urge you to deliver a sermon about peace because it would be the
right thing to do. Perhaps it could go along with a rededication of our
sanctuary’s Peace Chapel. And, perhaps, if you would give a sermon
like Dr. King gave against our wars, it might do more than just be a
good thing in its own right: It might serve as a model for the ministers
of other congregations who would follow suit.
Maybe,
as in Martin Luther King Jr.’s day, there can again be a time when
people see the call for peace as a spiritual issue and our church’s,
temples and congregations again take a lead role in calling for peace
and an end to our wars.
Have I made the subject of
peace sound as if it is complicated? If so, I am sorry. That can be a
problem in itself. At bottom, shouldn’t this all be so simple? Peace,
supporting peace, speaking out for peace. . Something very simple.
Last night I had the strangest dream
I never dreamed before.
I dreamed the world had all agreed
To put an end to war.*
* From “Last Night I Had the Strangest Dream,” by Ed McCurdy- 1950,
a precursor of sorts to “Imagine” by John Lennon and Yoko Ono- 1971
Sincerely,
Michael D. D. White
Showing posts with label First Unitarian Universalist Congregation of Brooklyn. Show all posts
Showing posts with label First Unitarian Universalist Congregation of Brooklyn. Show all posts
Tuesday, December 24, 2019
Friday, May 31, 2019
Candidate Films For Social Justice Film Series (by Brooklyn’s First Unitarian Universalist Weaving Social Justice Committee)
The following is a list of candidate social justice films that is being aggregated for discussion and consideration to create a Social Justice Film series to be sponsored by the Weaving social justice committee of Brooklyn's First Unitarian Universalist congregation in Brooklyn Heights. The list is a work in progress and will be added to as people make suggestions of other films. The series is expected to start, some time in the fall of 2019 or a little later and to be preceded by open discussion of films that might possibly be selected. Information about the time and place will be furnished when determined. (Note: It is possible to comment on this post as a way of participating.)
Citizens Defending Libraries and CDL co-founder Michael D. D. White are participating in the formulation of his series.
This list will be modified to include links to trailers for films that may be available.
• The Corporation - (2003) A Canadian documentary about how the structure of corporations (according to the rules we made up for them- and we do make up those rules) makes corporations antisocial in their behavior. (145 minutes)
• Ain’t I A Woman? - About the grueling work conditions of underpaid medicare paid 24/7 home health care workers. The film, which has already been shown, is being refined in the process of being finalized.
• The Lobby - (2017) This four-part documentary was censored and was not shown as a condition for Saudi Arabia agreeing not to launch its threatened militarily attack (in 2017/2018) against Qatar. Following a young reporter who went undercover with hidden cameras and recording equipment to infiltrate AIPAC, it is about AIPAC’s hardball tactics to influence British and American politics and elections, including passage of laws against criticism the Israeli state’s conduct, equating such criticism with antisemitism. The film also serves as primer on the working of politics and the ways that subsidies circle round to come back as lobbying for more speacila treatment. (Four one-hour episodes)
• The Best Democracy That Money Can Buy - (2016 and often updated) A film about U.S. voter suppression by reporter Greg Palast told with a comic film noir solve-the-mystery style that focuses particularly on the contrived purge of minority voters from the voting roles in multiple states accross the country by Crosscheck and Koch-funded Kansas Secretary of State Kris Kobach who was later brought into the Trump administration to continue working in a similar vein in Washington D.C.. Does this affect election outcome?: A reason to see the film. (115 minutes)
• Roadmap To Apartheid - (2012) Alice Walker narrates, comparing and looking at the connection between apartheid in Israel and South Africa. (95 minutes)
• Wormwood - (2016) A six-part documentary by Errol Morris (“Thin Blue Line”) unfolding, in peal the onion fashion, the mystery of the 1953 likely murder of a United States employee scientist by the U.S. government. The film fascinating explores how what the public and the scientists family think they have known about the death has kept changing over the years due to the misdirection of clever cover stories structured in their engaging sensationalism (think LSD and psychedelics) so as to ensure distraction from some things the film ultimately explores such as bio-warfare research during the Korean War. (Six one-hour episodes)
• Three Identical Strangers - (2018) A fun film that turns dark in its last segment when it goes from what you think you know and remember concerning the headline-grabbing pop culture fun of events concerning the discovery of identical triplets to segue to a history of secret experiments. (96 minutes)
• Where To Invade Next - (2015) Michael Moore’s most joyous and fun film about the solutions and better lives we could have as found in other countries around the world. (120 minutes)
• Wal-Town the Film - (2006) This film about Walmart follows six student activists and a journalist as they visit 36 Canadian towns over the course of two summers to raise public awareness about Wal-Mart's business practices, and how, with its increasing dominance, it is affecting cities and towns across Canada. (66 minutes)
• Requiem For The American Dream - (2015) In this documentary (with a corresponding book) the academic and activist Noam Chomsky describes the systems that have led to financial inequality, and the current concentration of wealth and power. The films deals with the deliberate concentration of wealth and power in the hands of a select few, the death of the middle class, and the idea of a functioning democracy in America. (73 minutes)
• PBS Frontline’s “One Day in Gaza” - (2018) This documentary about protests by Palestinians in the Gaza modeled on the tactics Ghandi used to oppose the British seeking independence for India provides an excellent opportunity for multi-layer discussion about journalistic pulled punches. Scheduled to be shown on the May 14, 2018, the one year anniversary of the 8th march in what Gazans named the Great March of Return, PBS pulled the broadcast so that it was not seen by Frontline’s 4.6 million viewers, although it was apparently seen in Britain as Frontline made it with BBC Two. This was apparently because what the film showed was too unflattering to the government of Israel, this even though its presentation was arguably slanted toward the Israeli state’s point of view, its spokesman being part of the film. More recently, Frontline has pulled it from its website as well. (60 minutes)
• Gaza Fights for Freedom- (2019) A film by journalist Abby Martin made with film collected through collaboration with local videographers and journalists in Gaza showing the Palestinian demonstrations and Israeli response from the Palestinian point of view. Ms. Martin had to work this way because Gaza is closed off by the Israeli government, which refused her entry. (84 minutes)
• The Black Panthers- Vanguard of the Revolution - (2015) A documentary film by Stanley Nelson Jr. that tells the story of the revolutionary black organization Black Panther Party using archival footage and interviews with surviving Panthers and FBI agents. The film deals with the strengths and appeal that caused the party to grow, how it was perceived a threat to the establishment, and the COINTELPRO behind the scenes measures that government took to divide, hobble and dismantle the movement, including the execution of an emerging charismatic and eloquent leader, Fred Hampton. (115 minutes)
• The Murder of Fred Hampton - (1971) - Emerging Black Panther leader Fred Hampton was assassinated by the Chicago Police Department during this documentary film’s production. The film was begun with the intent of being a portrayal Hampton and the Illinois Black Panther Party. One part of the finished film is the a portrait of Fred Hampton, another part of the film is an investigative report of his death that makes the case that Hampton’s killing by the Chicago police was murder. (88 minutes)
• Let the Fire Burn - (2013) The story of the Philadelphia Police bombing of a liberation group black liberation group living in a communal setting in West Philadelphia. The bombing killed eleven members of the group, including five children aged 7 to 13 and destroyed 65 houses in the neighborhood. The survivors later filed a civil suit against the city and the police department, and were awarded $1.5 million in a 1996 settlement. (95 minutes)
• How To Survive a Plague - (2012) A finalist for an Oscar, about the history of AIDS activists changing the healthcare system to accelerate the discover of effective treatments for AIDs. (109 minutes)
• Battle For Brooklyn - (2011) Nominated for an Oscar but too controversial a film about the NYC real estate industry to ever be played on the NYC PBS station- About the mega-subsidized, mega-monopoly Atlantic Yards eminent domain project. (93 minutes)
• My Brooklyn - (2012) Director Kelly Anderson's film about gentrification and understanding the forces reshaping her neighborhood along lines of race and class. The film reframes the gentrification debate to expose the corporate actors and government policies driving displacement and neighborhood change. (77 minutes)
• Park Avenue: Money, Power and the American Dream - (2012) Alex Gibney’s documentary about the increasing wealth gap in the United States that makes is points focusing on 740 Park Avenue where some of the wealthiest and most politically influential billionaires live, including fossil fuel magnate David H. Koch and the library-selling anti-egalitarian, tax loophole advocate, NYPL trustee Stephen A. Schwarzman, the first CEO to make more than $1 billion a year on which he pays especially low taxes and wants to keep it that way. (70 minutes)
• Let It Fall: Los Angeles 1982–1992 - (2017) Documentary by John Ridley about the decade preceding and including the 1992 Los Angeles riots (also known as the Rodney King riots). (144 minutes)
• Harvest Season - (2018) Bernardo Ruiz focused on the Mexican-American influence on California’s multi-billion-dollar wine industry. Three winemakers navigate the changing situation of their business, affected by climate shifts, new technology, and immigration policies, in the Napa and Sonoma valleys of California. (83 minutes)
• The Weather Underground - (2002) documentary film based on the rise and fall of the American radical organization Weather Underground. Using archive footage from the time as well as interviews with the Weathermen today, the film constructs a linear narrative of the organization. (95 minutes)
• Oliver Stone’s Untold History Of The United States - (2012) A twelve-episode review of the history of the United States (with an accompanying books that has just been updated with an additional 100+ page to cover current history) from the McKinley era through to relatively recent years that is likely provides quite different information and insights than what you were taught from your school textbooks. Do you know about the attempted “cocktail” military coup to remove FDR from office? The major factor in defeating the Nazis? What may have been the most important threat that caused the Japanese surrender? The differences between FDR vice-presidents Henry Wallace and Truman? JFK’s purge of top CIA leaders? (Twelve one-hour episodes)
• Appalshop Films - A series of completed films to choose from with more films still in the works seeking funding contributions. The films are intended bring forth and amplify new and often unheard voices and visions from the people of Appalachia and rural communities across America and abroad. The films seek to support grassroots efforts to achieve justice and equity, meaningful social and economic change, and to celebrate cultural diversity telling stories commercial media doesn’t tell and challenging stereotypes. Some films may also appeal to the youngest in the congregation.
• Wasted! The Story of Food Waste - (2017) - A film about clever cuisine approaches to rethink and reduce what is defined as “food waste.” (85 minutes)
• Bugs - (2016) Around the world and in many different cultures local insects are consumed as delicacies of the local cuisine and eating insects as a protein sources is a clear answer to solving many challenge of sustainability. This film, nominated for several awards, is something of a travelogue as explores cultures and the barriers to dietary changes that seem to make a lot of environmental sense. (74 minutes)
• Ex Libris - (2017) Although this film about the NYPL (New York Public Library) ventures into various social justice topics through the interface of library events and programs, the film would have to included as a trick film (requiring an external guide), an example of how documentaries should not always be accepted at face value for the (sometimes neutral?) perspective they purport to provide. The film by revered film maker Frederick Wiseman feels like a meander, a fly-on-the-wall capture of reality with no intrusion of perspective, but Wiseman was actually tightly minded by the NYPL’s top PR officer and the film operates with blinders (even to the extent it actually depicts unaware certain things). It shuns certain elephants in the room, for instance about the Stephen A. Schwarzman funded NYPL Central Library Plan to sell and shrink libraries and the NYC real estate industry. (197 minutes)
• Acid From Heaven, (1983 - 31 minutes) Acid Rain: Requiem or Recovery? (1981 - 27 minutes) and If You Love This Planet (1982- 26 minutes) - This triumvirate of vintage films from by the National Film Board of Canada– two on acid-rain pollution and an antinuclear war film the last of them won an Oscar– are especially relevant for their history of being censored, banned by the Reagan administration as propaganda that should not land on the ears of the American public. Does this sound like current efforts to scrub out references to climate change and climate chaos from government science sites and corporate media?
• Sweet Crude - (2009) Before the Deep Water Horizon Gulf of Mexico oil spill disaster, before those of us who were alert started learning through that spill about the poisonousness of the chemical dispersants used to feign alleviation of the spill’s effects, the Nigeria’s Niger Delta was experiencing ongoing oil spill contamination and poisonings of huge, if unrecognized dimensions (the estimated equivalent of Exxon Valdez spill every year ongoing for decades). The fossil fuel and oil extraction industry wants to be less regulated in the United States. This story, according to film director Sandy Cioffi, who won many awards for it, is about what happens when the industry gets what it wants and is subject to no regulation at all. It includes the Chevron and Shell oil companies militarily arming young men to fight against each other to foment chaos for the benefit of oil prices. The film makers, who were arrested and imprisoned by the Nigerian government while making the film, had originally set out to make a film about the building of a rural Nigerian library. (93 minutes)
• The Human Element - (2019) This film follows environmental photographer James Balog on his quest to highlight Americans on the frontlines of climate change, hoping to inspire us to re-evaluate our relationship with the natural world. The film includes spectacular footage to the elements, fires, floods, wind storms, and what is happening to the land, and adds in “the fifth element,” humans, those that can make the choices that can matter.
• Gasland (2010- 107 minutes), Gasland II (2013- 125 minutes) and How to Let Go of the World and Love All the Things Climate Can't Change (2016- 127 minutes) - Three of the films by director and environmental activist Josh Fox, who first became widely known with the first of them Gasland, nominated for an Oscar and winning an Emmy about the stealth, lies and destruction of the fracking industry. Gasland II is the follow-up. How to Let Go of the World is Fox’s global travelogue where he encounters the effects of climate change while meeting with global climate change activists "warriors" committed to reversing the tide of global warming.
• 2040 - (2019) A venture by Australian Damon Gameau (“That Sugar Film”) to provide, by looking forward to possibilities that could materialize by the year 2040 in a visual letter to his four-year old daughter, to provide upbeat and optimistic answers to how embracing the best practical solutions already available to us could address the climate change crisis and improve our planet. (92 minutes)
• The River and The Wall - (2019) Political ammunition against Trump’s conception of a wall. A spectacularly photogenic and somewhat treacherously challenging trip down the Rio Grande makes clear how ecologically devastating the construction of a wall would be. At the same time background personal stories make a pro-immigration case. (97 minutes)
• Micmacs - (2009) French comedy film by French director Jean-Pierre Jeunet, a "satire on the world arms trade." (105 minutes)
• No - (2012) A docu-comedy romp that also teaches about political organizing and the kind of clever, hopeful and fun advertising campaigns that can assist, recounting the triumph where in a 1988 referendum in Chile 56 percent voted to oust repressive dictator Augusto Pinochet from power. The film uses archival footage and fictionalized characters while many of those who worked on the 1988 campaign played themselves or other characters who were involved. (118 minutes)
• When They See Us - (2019) Director Ava DuVernay’s new docudrama film series about the 1989 media circus (that made up such terms as “wilding”) and the subsequent very flawed prosecution and conviction (vacated in 2002) of five innocent young black men in the case of female jogger attacked, beaten and raped in Central Park. (Four one-hour episodes) There is also a documentary about the case, The Central Park Five (2012), directed by filmmaker Ken Burns, his daughter Sarah Burns, and her husband David McMahon. (119 minutes.)
• Dancer in the Dark - (2000) A Danish musical melodrama film directed by Lars von Trier. It stars Icelandic musician Björk as a daydreaming immigrant factory worker who suffers from a degenerative eye condition and is saving up to pay for an operation to prevent her young son from suffering the same fate. (140 minutes)
• On The Basis of Sex - (2018) A docudrama about the early professional years of future Supreme Court Justice Ruth Bader Ginsburg in order to explore sex discrimination through the lens of her early cases. (120 minutes)
Citizens Defending Libraries and CDL co-founder Michael D. D. White are participating in the formulation of his series.
This list will be modified to include links to trailers for films that may be available.
LIST OF POTENTIAL CANDIDATE FILMS BEING AGGREGATED FOR SOCIAL JUSTICE FILM SERIES• 13th - (2016) by director Ava DuVernay. Nominated for Academy Award, this film is about the mass incarceration of people of color in the Unites States as a perpetuation of slavery. One consequence is the loss of the right to vote thus changing the shape of politics and who puts who into power. (100 minutes)
Are some of films more valuable or less valuable for this series if they are potentially more controversial than others?
• The Corporation - (2003) A Canadian documentary about how the structure of corporations (according to the rules we made up for them- and we do make up those rules) makes corporations antisocial in their behavior. (145 minutes)
• Ain’t I A Woman? - About the grueling work conditions of underpaid medicare paid 24/7 home health care workers. The film, which has already been shown, is being refined in the process of being finalized.
• The Lobby - (2017) This four-part documentary was censored and was not shown as a condition for Saudi Arabia agreeing not to launch its threatened militarily attack (in 2017/2018) against Qatar. Following a young reporter who went undercover with hidden cameras and recording equipment to infiltrate AIPAC, it is about AIPAC’s hardball tactics to influence British and American politics and elections, including passage of laws against criticism the Israeli state’s conduct, equating such criticism with antisemitism. The film also serves as primer on the working of politics and the ways that subsidies circle round to come back as lobbying for more speacila treatment. (Four one-hour episodes)
• The Best Democracy That Money Can Buy - (2016 and often updated) A film about U.S. voter suppression by reporter Greg Palast told with a comic film noir solve-the-mystery style that focuses particularly on the contrived purge of minority voters from the voting roles in multiple states accross the country by Crosscheck and Koch-funded Kansas Secretary of State Kris Kobach who was later brought into the Trump administration to continue working in a similar vein in Washington D.C.. Does this affect election outcome?: A reason to see the film. (115 minutes)
• Roadmap To Apartheid - (2012) Alice Walker narrates, comparing and looking at the connection between apartheid in Israel and South Africa. (95 minutes)
• Wormwood - (2016) A six-part documentary by Errol Morris (“Thin Blue Line”) unfolding, in peal the onion fashion, the mystery of the 1953 likely murder of a United States employee scientist by the U.S. government. The film fascinating explores how what the public and the scientists family think they have known about the death has kept changing over the years due to the misdirection of clever cover stories structured in their engaging sensationalism (think LSD and psychedelics) so as to ensure distraction from some things the film ultimately explores such as bio-warfare research during the Korean War. (Six one-hour episodes)
• Three Identical Strangers - (2018) A fun film that turns dark in its last segment when it goes from what you think you know and remember concerning the headline-grabbing pop culture fun of events concerning the discovery of identical triplets to segue to a history of secret experiments. (96 minutes)
• Where To Invade Next - (2015) Michael Moore’s most joyous and fun film about the solutions and better lives we could have as found in other countries around the world. (120 minutes)
• Wal-Town the Film - (2006) This film about Walmart follows six student activists and a journalist as they visit 36 Canadian towns over the course of two summers to raise public awareness about Wal-Mart's business practices, and how, with its increasing dominance, it is affecting cities and towns across Canada. (66 minutes)
• Requiem For The American Dream - (2015) In this documentary (with a corresponding book) the academic and activist Noam Chomsky describes the systems that have led to financial inequality, and the current concentration of wealth and power. The films deals with the deliberate concentration of wealth and power in the hands of a select few, the death of the middle class, and the idea of a functioning democracy in America. (73 minutes)
• PBS Frontline’s “One Day in Gaza” - (2018) This documentary about protests by Palestinians in the Gaza modeled on the tactics Ghandi used to oppose the British seeking independence for India provides an excellent opportunity for multi-layer discussion about journalistic pulled punches. Scheduled to be shown on the May 14, 2018, the one year anniversary of the 8th march in what Gazans named the Great March of Return, PBS pulled the broadcast so that it was not seen by Frontline’s 4.6 million viewers, although it was apparently seen in Britain as Frontline made it with BBC Two. This was apparently because what the film showed was too unflattering to the government of Israel, this even though its presentation was arguably slanted toward the Israeli state’s point of view, its spokesman being part of the film. More recently, Frontline has pulled it from its website as well. (60 minutes)
• Gaza Fights for Freedom- (2019) A film by journalist Abby Martin made with film collected through collaboration with local videographers and journalists in Gaza showing the Palestinian demonstrations and Israeli response from the Palestinian point of view. Ms. Martin had to work this way because Gaza is closed off by the Israeli government, which refused her entry. (84 minutes)
• The Black Panthers- Vanguard of the Revolution - (2015) A documentary film by Stanley Nelson Jr. that tells the story of the revolutionary black organization Black Panther Party using archival footage and interviews with surviving Panthers and FBI agents. The film deals with the strengths and appeal that caused the party to grow, how it was perceived a threat to the establishment, and the COINTELPRO behind the scenes measures that government took to divide, hobble and dismantle the movement, including the execution of an emerging charismatic and eloquent leader, Fred Hampton. (115 minutes)
• The Murder of Fred Hampton - (1971) - Emerging Black Panther leader Fred Hampton was assassinated by the Chicago Police Department during this documentary film’s production. The film was begun with the intent of being a portrayal Hampton and the Illinois Black Panther Party. One part of the finished film is the a portrait of Fred Hampton, another part of the film is an investigative report of his death that makes the case that Hampton’s killing by the Chicago police was murder. (88 minutes)
• Let the Fire Burn - (2013) The story of the Philadelphia Police bombing of a liberation group black liberation group living in a communal setting in West Philadelphia. The bombing killed eleven members of the group, including five children aged 7 to 13 and destroyed 65 houses in the neighborhood. The survivors later filed a civil suit against the city and the police department, and were awarded $1.5 million in a 1996 settlement. (95 minutes)
• How To Survive a Plague - (2012) A finalist for an Oscar, about the history of AIDS activists changing the healthcare system to accelerate the discover of effective treatments for AIDs. (109 minutes)
• Battle For Brooklyn - (2011) Nominated for an Oscar but too controversial a film about the NYC real estate industry to ever be played on the NYC PBS station- About the mega-subsidized, mega-monopoly Atlantic Yards eminent domain project. (93 minutes)
• My Brooklyn - (2012) Director Kelly Anderson's film about gentrification and understanding the forces reshaping her neighborhood along lines of race and class. The film reframes the gentrification debate to expose the corporate actors and government policies driving displacement and neighborhood change. (77 minutes)
• Park Avenue: Money, Power and the American Dream - (2012) Alex Gibney’s documentary about the increasing wealth gap in the United States that makes is points focusing on 740 Park Avenue where some of the wealthiest and most politically influential billionaires live, including fossil fuel magnate David H. Koch and the library-selling anti-egalitarian, tax loophole advocate, NYPL trustee Stephen A. Schwarzman, the first CEO to make more than $1 billion a year on which he pays especially low taxes and wants to keep it that way. (70 minutes)
• Let It Fall: Los Angeles 1982–1992 - (2017) Documentary by John Ridley about the decade preceding and including the 1992 Los Angeles riots (also known as the Rodney King riots). (144 minutes)
• Harvest Season - (2018) Bernardo Ruiz focused on the Mexican-American influence on California’s multi-billion-dollar wine industry. Three winemakers navigate the changing situation of their business, affected by climate shifts, new technology, and immigration policies, in the Napa and Sonoma valleys of California. (83 minutes)
• The Weather Underground - (2002) documentary film based on the rise and fall of the American radical organization Weather Underground. Using archive footage from the time as well as interviews with the Weathermen today, the film constructs a linear narrative of the organization. (95 minutes)
• Oliver Stone’s Untold History Of The United States - (2012) A twelve-episode review of the history of the United States (with an accompanying books that has just been updated with an additional 100+ page to cover current history) from the McKinley era through to relatively recent years that is likely provides quite different information and insights than what you were taught from your school textbooks. Do you know about the attempted “cocktail” military coup to remove FDR from office? The major factor in defeating the Nazis? What may have been the most important threat that caused the Japanese surrender? The differences between FDR vice-presidents Henry Wallace and Truman? JFK’s purge of top CIA leaders? (Twelve one-hour episodes)
• Appalshop Films - A series of completed films to choose from with more films still in the works seeking funding contributions. The films are intended bring forth and amplify new and often unheard voices and visions from the people of Appalachia and rural communities across America and abroad. The films seek to support grassroots efforts to achieve justice and equity, meaningful social and economic change, and to celebrate cultural diversity telling stories commercial media doesn’t tell and challenging stereotypes. Some films may also appeal to the youngest in the congregation.
• Wasted! The Story of Food Waste - (2017) - A film about clever cuisine approaches to rethink and reduce what is defined as “food waste.” (85 minutes)
• Bugs - (2016) Around the world and in many different cultures local insects are consumed as delicacies of the local cuisine and eating insects as a protein sources is a clear answer to solving many challenge of sustainability. This film, nominated for several awards, is something of a travelogue as explores cultures and the barriers to dietary changes that seem to make a lot of environmental sense. (74 minutes)
• Ex Libris - (2017) Although this film about the NYPL (New York Public Library) ventures into various social justice topics through the interface of library events and programs, the film would have to included as a trick film (requiring an external guide), an example of how documentaries should not always be accepted at face value for the (sometimes neutral?) perspective they purport to provide. The film by revered film maker Frederick Wiseman feels like a meander, a fly-on-the-wall capture of reality with no intrusion of perspective, but Wiseman was actually tightly minded by the NYPL’s top PR officer and the film operates with blinders (even to the extent it actually depicts unaware certain things). It shuns certain elephants in the room, for instance about the Stephen A. Schwarzman funded NYPL Central Library Plan to sell and shrink libraries and the NYC real estate industry. (197 minutes)
• Acid From Heaven, (1983 - 31 minutes) Acid Rain: Requiem or Recovery? (1981 - 27 minutes) and If You Love This Planet (1982- 26 minutes) - This triumvirate of vintage films from by the National Film Board of Canada– two on acid-rain pollution and an antinuclear war film the last of them won an Oscar– are especially relevant for their history of being censored, banned by the Reagan administration as propaganda that should not land on the ears of the American public. Does this sound like current efforts to scrub out references to climate change and climate chaos from government science sites and corporate media?
• Sweet Crude - (2009) Before the Deep Water Horizon Gulf of Mexico oil spill disaster, before those of us who were alert started learning through that spill about the poisonousness of the chemical dispersants used to feign alleviation of the spill’s effects, the Nigeria’s Niger Delta was experiencing ongoing oil spill contamination and poisonings of huge, if unrecognized dimensions (the estimated equivalent of Exxon Valdez spill every year ongoing for decades). The fossil fuel and oil extraction industry wants to be less regulated in the United States. This story, according to film director Sandy Cioffi, who won many awards for it, is about what happens when the industry gets what it wants and is subject to no regulation at all. It includes the Chevron and Shell oil companies militarily arming young men to fight against each other to foment chaos for the benefit of oil prices. The film makers, who were arrested and imprisoned by the Nigerian government while making the film, had originally set out to make a film about the building of a rural Nigerian library. (93 minutes)
• The Human Element - (2019) This film follows environmental photographer James Balog on his quest to highlight Americans on the frontlines of climate change, hoping to inspire us to re-evaluate our relationship with the natural world. The film includes spectacular footage to the elements, fires, floods, wind storms, and what is happening to the land, and adds in “the fifth element,” humans, those that can make the choices that can matter.
• Gasland (2010- 107 minutes), Gasland II (2013- 125 minutes) and How to Let Go of the World and Love All the Things Climate Can't Change (2016- 127 minutes) - Three of the films by director and environmental activist Josh Fox, who first became widely known with the first of them Gasland, nominated for an Oscar and winning an Emmy about the stealth, lies and destruction of the fracking industry. Gasland II is the follow-up. How to Let Go of the World is Fox’s global travelogue where he encounters the effects of climate change while meeting with global climate change activists "warriors" committed to reversing the tide of global warming.
• 2040 - (2019) A venture by Australian Damon Gameau (“That Sugar Film”) to provide, by looking forward to possibilities that could materialize by the year 2040 in a visual letter to his four-year old daughter, to provide upbeat and optimistic answers to how embracing the best practical solutions already available to us could address the climate change crisis and improve our planet. (92 minutes)
• The River and The Wall - (2019) Political ammunition against Trump’s conception of a wall. A spectacularly photogenic and somewhat treacherously challenging trip down the Rio Grande makes clear how ecologically devastating the construction of a wall would be. At the same time background personal stories make a pro-immigration case. (97 minutes)
Fictional Works• In the Time of the Butterflies - (2001) A feature film, produced for the Showtime television network, directed by Mariano Barroso and based on Julia Álvarez's book of the same name. The story is a fictionalized account for the lives of the Mirabal sisters, Dominican revolutionary activists, who opposed the dictatorship of Rafael Trujillo and were assassinated on November 25, 1960. (95 minutes)
• Micmacs - (2009) French comedy film by French director Jean-Pierre Jeunet, a "satire on the world arms trade." (105 minutes)
• No - (2012) A docu-comedy romp that also teaches about political organizing and the kind of clever, hopeful and fun advertising campaigns that can assist, recounting the triumph where in a 1988 referendum in Chile 56 percent voted to oust repressive dictator Augusto Pinochet from power. The film uses archival footage and fictionalized characters while many of those who worked on the 1988 campaign played themselves or other characters who were involved. (118 minutes)
• When They See Us - (2019) Director Ava DuVernay’s new docudrama film series about the 1989 media circus (that made up such terms as “wilding”) and the subsequent very flawed prosecution and conviction (vacated in 2002) of five innocent young black men in the case of female jogger attacked, beaten and raped in Central Park. (Four one-hour episodes) There is also a documentary about the case, The Central Park Five (2012), directed by filmmaker Ken Burns, his daughter Sarah Burns, and her husband David McMahon. (119 minutes.)
• Dancer in the Dark - (2000) A Danish musical melodrama film directed by Lars von Trier. It stars Icelandic musician Björk as a daydreaming immigrant factory worker who suffers from a degenerative eye condition and is saving up to pay for an operation to prevent her young son from suffering the same fate. (140 minutes)
• On The Basis of Sex - (2018) A docudrama about the early professional years of future Supreme Court Justice Ruth Bader Ginsburg in order to explore sex discrimination through the lens of her early cases. (120 minutes)
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